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A staple in any worthwhile list of ’80s electronica, it’s no mistake of the imagination to hear some of the ground covered here, as the footholds that Aphex Twin and Boards of Canada would further launch from in the ’90s. Check out this live performance of ‘Firecracker’ on US variety show Soul Train for a blast of YMO at its best.ī2-Unit contains one of Sakamoto’s most seminal tracks – the years ahead of its time, funked-up electronic odyssey ‘Riot in Lagos’. That they were shooting for a mass international audience is no secret as group founder Haruomi Hosono targeted US listeners hoping the rest would follow suit, but the popularity they subsequently achieved didn’t always rest easy with Sakamoto, and in part instigated his move onto further solo projects. Whilst indelibly on the group’s musical radar, just referencing them as Japan’s answer to Kraftwerk is an injustice given the genres they explored album by album and their unique and oft humorous take on “Asianness” and its exotic perceptions. One of Sakamoto’s most influential and well known projects, as keyboardist for Yellow Magic Orchestra his work was projected onto the world stage, and inspired a generation of electronic musicians in its wake (check out Ken Ishii and Tesuo Inoue for a couple of fine examples). Sakamoto’s prowess on the piano also makes its first appearance amongst the electronics on Grasshoppers. Playful yet shying away from the atonal and questing to find new forms of expression through technology, this record would also impact his future production approach with the records of the recently formed Yellow Magic Orchestra. Informed by his diverse musical education and considerable experience within the developing age of Moog, Buchla and ARP synthesizers, the seeds of Sakamoto’s genre-blurring craft can be found in this one. Opening with a vocoded rendition of a Mao Zedong poem, before launching into a drum programmed synth panoply with guitar shred in tow, and all named after Henri Michaux’s description of the mescaline experience – Thousand Knives was quite a way to kick off a solo recording debut. In celebration of the LP release of his and Taylor’s performance at St John’s, the list below serves to explore some key works from the start of his career up to the present, and join some of the dots of a rich and multi-faceted body of work. "We know they will get behind this game more than any support we have had from them in the past - we believe this will be a step to really forging the Tomb Raider brand as one of the biggest in gaming, with the help, belief and backing of a major partner like Microsoft. "Our friends at Microsoft have always seen huge potential in Tomb Raider and have believed in our vision since our first unveil with them on their stage at E3 2011," wrote Darrell Gallagher on the Tomb Raider tumblr. |
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